Chambi’s photography is deeply anthropological. This photograph of an
Andean worker in Machu Picchu was published by Hiram Bingham in 1922.
Source: Wikimedia Commons.
Martin Chambi was born in 1891 in a small village near Puno on the
shores of
Lake Titicaca
to a
Quechua-speaking
family. His father was a laborer for a mining company, and when he died the
young Chambi relocated to
Arequipa,
where he became an apprentice and learned his trade. Given his humble
origins, Chambi’s subsequent economic prosperity was rather extraordinary
for the times.
Once trained, Chambi began his career in
Cusco in 1923
and he established a studio on Calle Marquez near the Plaza de Armas. He
quickly became the favored photographer among members of Cusco’s high
society, who commissioned him to do portraits and to photograph weddings,
baptisms, and other social events.
Chambi’s true passion, however, was Andean culture – indigenous people,
their culture and enduring customs, and the landscapes that they inhabited.
At a time when indios were regarded as dirty, poor, and inferior,
Chambi’s pictures captured the dignity of his subject and the elegance of
traditions retained despite centuries of oppression.
In addition to taking studio portraits of indigenous subjects, Chambi
traveled into
the Sacred Valley
, using horses to cart around his heavy camera equipment, which included a
44 lb (20 kg) tripod. His daughter Julia, once old enough, accompanied him
on some of these trips through the countryside, which lasted 15 to 30 days
at a time, and she later became a photographer as well.