This culture is best known for their intricately decorated ceramics, goldwork, and monumental constructions known as huacas.
Language
The Moche civilization spoke two distinct languages. North of the Lambayeque Valley, the people spoke the Muchik or Mochica language. Through the rest of their territory to the south, they spoke the Quingan language. Some linguists believe both belonged to the Chimuan language family. However, as they are now extinct, it may not be possible to confirm this relationship.
While the Moche people did not have a written language, archaeologist and founder of the Larco Museum Rafael Larco Hoyle proposed that they had a type of proto-writing. Lines, dots, zigzags and other symbols painted on lima beans led to this conclusion. Contrarily, other researchers believe these designs relate to agricultural cycles, games or a number of other purposes.
Regardless, their capacity to tell a story through visuals and symbols in their art is impressive. Much of what we know of the Moche civilization today comes from the long-lasting designs on their ceramics that tell the stories of their people.
Religion
Moche religion was heavily influenced by the preceding Chavin culture. Like most Andean cultures, there was a deep connection with the cycle of life and death.
While certain aspects related to their beliefs have been lost to time, we do know of several gods important to the Moche people.
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Ai Paec or Ai Apaec was the creator and sky god. In Moche art, we can identify Ai Apaec by his fangs, a jaguar headdress with bird feathers, and snake earrings. Through these animals, he is connected to all three worlds: the sky/gods via the bird feathers, the earth/living via the jaguar headdress and fangs, and the underground/ancestors via the snake earrings.
- Si, the moon goddess, was the most powerful god to the Moche, as she controlled the seasons and storms. The moon could appear at night and in daylight, and therefore, she was even more powerful than the sun.
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The Decapitator god of darkness is half-man, half-jaguar. When depicted in Moche art, he tends to hold a tumi, a sacrificial knife, in one hand and a severed head in the other.
While the Moche society likely included different ethnicities, had several different rulers, and even spoke two distinct languages, their religious beliefs were one common thread connecting the people in this society.
Ceramics
The Moche culture was highly sophisticated, and the painted and/or shaped artifacts show meticulous scenes of their daily life. Excavated Moche ceramic vessels show fishing, hunting, ceremonies, sacrifice, fighting, sexual encounters, and other common scenes on Moche ceramic vessels.
Moche pottery was used for everything from eating and drinking to human sacrifices made to the gods. The most intricate pieces were used for ceremonial purposes and often buried with elite rulers. Today, Moche ceramics are some of the most pristine ancient artifacts in the world.
Other Artistic Mediums
The Moche were impressive metalworkers, primarily using gold, silver, copper and their alloys. In addition to jewelry, they made tools, weapons, headdresses, ceremonial attire and important ornamental pieces for their rituals.
Moche clothing and textiles are not as well preserved as those from the cultures of Peru’s southern coast, such as the Paracas. Most of the excavated textiles were used for funerary purposes, with little remaining of daily attire.
Their architecture primarily consists of adobe blocks, often built into pyramid-shaped temples. Within their temples, the Moche painted large murals with various natural pigments extracted from minerals. The murals tend to focus on their religious figures, but some use subjects from daily life, such as animals and human sacrifices on this mural at the Temple of the Moon.